Science Fair Project Encyclopedia
Appropriation (music)
"Gino Stefani makes appropriation the chief criterion for his 'popular' definition of melody (Stefani 1987a). Melody, he argues, is music 'at hand'; it is that dimension which the common musical competence extracts (often with little respect for the integrity of the source), appropriates and uses for a variety of purposes: singing, whistling, dancing, and so on." (Middleton, p.96)
"János Maróthy defines the 'folkloric' itself in terms of appropriation: the making, from whatever materials, of 'a music [or other folk art] of your own' (Maróthy 1981)." (Middleton, p.139)
Sources
- Middleton, Richard (1990/2002). Studying Popular Music. Philadelphia: Open University Press. ISBN 0335152759.
- Maróthy (1981).
- Stefani (1987).
Last updated: 07-15-2005 04:51:45
10-26-2009 08:16:03
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The contents of this article is licensed from www.wikipedia.org under the GNU Free Documentation License. Click here to see the transparent copy and copyright details