Bernard Rudofsky (April 13 1905 - 1988) was an Austrian-born American writer, architect, collector, teacher, designer, and social historian.

After earning a doctorate in architecture in Austria then working in Germany, Italy and a dozen other countries, Rudofsky had temporarily settled in Brazil in the 1930's to open an architectural practice and built several notable residences in Sao Paolo. An entry in a 1941 design competition brought an invitation from MOMA to live and work in New York City, and he remained based there until his death, while continuing to travel, sometimes for years at a stretch. Rudofsky variously taught at Yale, MIT, Cooper-Hewitt, Waseda University in Tokyo, and the Royal Academy of Fine Arts in Copenhagen. He was a Ford, Fulbright and Guggenheim Fellow.

Most influential for organizing a series of controversial MOMA exhibits in the 1940s, 1950s and 1960s, Rudofsky is best remembered today for a number of urbane books that still provide relevant design insight concealed in entertaining, subversive sarcasm. His interests ranged from vernacular architecture to Japanese toilets to sandal design. Taken together his written work constitutes one sustained argument for humane and sensible design.

For instance, "Now I Lay Me Down to Eat" is a tour of historical and cultural alternatives to the design problems of everyday life – dining, sleeping, sitting, cleansing, and bathing – and was "neither meant to spread dangerous heresies nor to undermine our birthright to make the worst of possible choices. Rather, it demonstrates by means of random examples that life can be less dull than we make it." By contrast Rudofsky makes western design solutions, if not ridiculous and arbitrary, certainly open to improvement. It might be worth asking why the standard American-style toilet is effectively a septic humidifier, and why American-style bathtubs are impossible for adults to lie down in and are as a matter of routine permanently fixed two or three feet away from a septic humidifier.

In 1944 Berta and Bernard were invited to the legendary Black Mountain College for two weeks. Bernard gave two lectures on the sad state of clothing design, calling contemporary dress "anachronistic, irrational, impractical and harmful" and literally unsuitable. One of his lectures was called "How Can People Expect to Have Good Architecture When They Wear Such Clothes?" Berta was convinced to organize an informal, impromptu course on sandalmaking. Berta was invited back the following year, and their successful venture Bernardo Sandals was organized in 1947 and still thrives.

Major works:

• Behind the Picture Window (1955)
• Architecture Without Architects: a short introduction to non-pedigreed architecture (1964)
• The Kimono Mind: An Informal Guide to Japan and the Japanese (1965)
• Streets for People: A Primer for Americans (1969)
• The Unfashionable Human Body (1971)
• The Prodigious Builders: Notes toward a natural history of architecture with special regard to those species that are traditionally neglected or downright ignored (1977)
• Now I Lay Me Down to Eat: Notes and footnotes on the lost art of living (1980)