Gustav Stickley (March 9, 1858 - April 21, 1942) was a furniture maker and architect as well as the leading spokesperson for the American Arts and Crafts movement.

In 1901, Stickley founded The Craftsman, a periodical which began by expounding the philosophy of the English Arts & Crafts movement but which matured into the voice of the American movement. He worked with architect Harvey Ellis to design house plans for the magazine, which published 221 such plans over the next fifteen years. He also established the Craftsman Home Builders Club in 1903 to spread his ideas about domestic organic architecture.

These ideas had an enormous influence on Frank Lloyd Wright. Stickley believed that:

• A house ought to be constructed in harmony with its landscape, with special attention paid to selecting local materials
• An open floor plan would encourage family interaction and eliminate unnecessary barriers
• Built-in bookcases and benches were practical and ensured that the house would not be completely reliant on furniture from outside
• Exposed structural elements, light fixtures, and hardware are all considered to be decorative
• Artificial light should be kept to a minimum, so large groupings of windows were necessary to bring in light

Stickley began making furniture with the founding of the Craftsman Workshops in Syracuse, New York in 1904. His furniture was all handmade rather than machinemade, crafted to be simple and useful; it was primarily built from native American oak, joinery was exposed, upholstery was carried out with natural materials (canvas and leather), wood could be varnished but never painted, and there were no unnecessary lines. This furniture would become known as Mission Style.

He moved his headquarters to New York City in 1905 and planned to establish a boarding school for boys in Morris Plains, New Jersey (what is now Parsippany, New Jersey). Craftsman Farms was designed to be self-sufficient, with vegetable gardens, orchards, dairy cows and chickens. The main house there is constructed from chestnut logs and stone found on the property, and exemplifies Stickley's building philosophy. As he wrote in The Craftsman,

"There are elements of intrinsic beauty in the simplification of a house built on the log cabin idea. First, there is the bare beauty of the logs themselves with their long lines and firm curves. Then there is the open charm felt of the structural features which are not hidden under plaster and ornament, but are clearly revealed, a charm felt in Japanese architecture....The quiet rhythmic monotone of the wall of logs fills one with the rustic peace of a secluded nook in the woods." [1]

Although initially conceived of as a clubhouse for students, financial troubles forced Stickley to live there with his family instead. The planned boarding school never became a reality.

Stickley was a poor businessman and the American public began to reject his simple furniture in favor of revival styles; in 1915 he filed for bankruptcy, stopping publication of The Craftsman in 1916 and selling Craftsman Farms in 1917.

In recent years, Stickley style has become popular once more. In 1988, Barbara Streisand paid $363,000 for a Stickley sideboard from Craftsman Farms; magazines such as Style 1900 and American Bungalow cater to those interested in the Arts and Crafts movement.

External links

• Biography from the Arts and Crafts movement website
• "Gustav Stickley and the Craftsman Home"
• The Stickley Museum at Craftsman Farms

References

• Cathers, David. (2003). Gustav Stickley. Phaidon Press. ISBN 0714840300.
• Hewitt, Mark Alan. (2001). Gustav Stickley's Craftsman Farms: The Quest for an Arts and Crafts Utopia. Syracuse University Press. ISBN 0815606893.
• Smith, Mary Ann. (1992). Gustav Stickley: The Craftsman. Dover Publications. ISBN 0486272109.