The History of Canadian Animation involves a considerable element of the realities of a country neighbouring the United States and the formidable competition from Hollywood.

Prior to 1939, animation production was a very low scale with small production that were often discouraged by theatre chains like Famous Players who did not want Canadian competition to their parent companies' product.

1939 saw the establishment of the National Film Board of Canada which provided a strong government supported organization for the creation of distinctively Canadian work. Animation was essentially an afterthought, but an initial and shortlived period of coproduction with the Walt Disney Company in the making of animated propaganda films helped establish a core of animators who continued production after Disney withdrew.

Initially, the artistic focus of the crew was to explore types of animation apart from regular cell animation since it was decided competeting with the American companies in this field was counterproductive. With that approach, luminaries like Norman McLaren made their mark with innovative work in forms like drawn on film animation. In addition, the agency eventually gained the confidence to produce cell animation as well.

Apart from the National Film Board, Canadian production in the commercial sphere was largely as limited as before. The biggest contribution in the 1960s and much of the 1970s was in the field of voice acting with many major television productions like Rudolph the Red-Nosed Reindeer and Spider-Man sporting Canadian voice actors like Paul Soles and Paul Kligman .

The situation began to change with the rise of Nelvana Animation which took advantage of the new Canadian content broadcast rules to produce a successful series of acclaimed TV specials. However, the confidence this success gave to the company led to an ill advised and troubled production of a feature film, Rock and Rule which proved a crippling box office failure. The company turned to television animation work which proved successful with series like Inspector Gadget and Care Bears. The company eventually became a prime supplier of animation work into the American network TV market.

In the 1980s the animation department of the French division of the CBC in Montreal took center stage by winning two Oscars for its animation shorts: Crac in 1981 and The Man Who Planted Trees in 1987. Both were produced by Frederic Back . In about the same period private and public colleges started offering complete animation programs. In 1984 Sheridan College of Toronto won an Oscar for Charade, by one of its graduating students, Jon Minnis .

With the renaissance of animation in the 1990s, Canadian animation further prospered with conventional fare from companies like Nelvana and Cinar while innovative work from Mainframe Entertainment such the first computer animated series, ReBoot drew considerable success on its own.

In 1997, Teletoon was established as Canada's first dedicated animation television channel whose broadcast license agreement stipulated at least one original animated television series a season.

See also:

• History of animation
• History of Canada
• Canadian animation
• History of Canadian film