International style, also known as the Modern movement, is a primarily American offshoot of Bauhaus architecture that was exported to various parts of the world. International style was a major architectural trend in the 1920s and 1930s and is considered the most minimal form of modernism.

International style was influenced by German and Dutch movements of Bauhaus, de Stijl and the Deutscher Werkbund. In 1927, one of the first and most defining manifestations of the international style was the Weissenhof Estate in Stuttgart as a component of the exhibition "Die Wohnung," organized by the Deutscher Werkbund. Major participants were:

• Mies van der Rohe
• Walter Gropius
• Le Corbusier
• Mart Stam
• Hans Scharoun

Many of its ideas and ideals were formalized by the Congres Internationaux d'Architecture Moderne. Some of its most important architects (including Ludwig Mies van der Rohe) fled the upcoming Nazi regime in Germany in the 1930s and moved to the United States, which caused the International Style to spread worldwide.

The term international style came from the title of a book by Henry-Russell Hitchcock and Philip Johnson, written in 1932. In that same year, the International Exhibition of Modern Architecture at the Museum of Modern Art in New York City spread the ideals of the style, making it one of the dominant architectural movements of the mid-20th Century.

Architects who worked in the international style wanted to break with architectural tradition and design simple, unornamented buildings. The most commonly used materials are glass for the facade, steel for exterior support, and concrete for the floors and interior supports; floor plans were functional and logical. The style became most evident in the design of skyscrapers. Perhaps its most famous/notorious manifestations include the United Nations headquarters and the Seagram Building in New York.

Detractors of the international style claim that its stark, uncompromisingly rectangular geometry is dehumanising. Le Corbusier once described buildings as "machines for living", but people are not machines and do not want to live in machines. Even Philip Johnson admitted he was "bored with the box." Since the early 1980s many architects have deliberately sought to move away from strictly geometrical designs.

Architects & Buildings

• Walter Gropius, with the Bauhaus building in Dessau
• Ludwig Mies van der Rohe, with the Seagram Building in Manhattan
• Alvar Aalto
• Le Corbusier, with the Villa Savoye in Poissy-sur-Seine
• Philip Johnson
• Louis Kahn

External links

• Weissenhof Estate