Ivan Gundulić (Italian: Giovanni Gondola) (January 9, 1589 – December 8, 1638) is the most celebrated Croatian Baroque poet from Dubrovnik. His work embodies central characteristics of Catholic Counter-Reformation: religious fervor, insistence on "vanity of this world" and zeal in opposition to "infidels". Gundulić's major works, the epic poem Osman, the pastoral play Dubravka, and the religious poem Tears of the prodigal son (based on the famous Biblical motif) are examples of Baroque stylistic richness and, frequently, rhetorical excess.

Judging from modern perspective, two approaches seem to dominate contemporary appraisal of Gundulić's poetry: one one hand, his poetic influence has dimmed due to the change of aesthetic sensibility (Gundulić's chief literary predecessor and influence, Torquato Tasso, has undergone similar reassessment, but his artistic integrity and individuality have withstood the test of time better); on the other hand, Gundulić's role in the final standardisation of Croatian language cannot be overemphasized.

Suze sina razmetnoga ("Tears of the prodigal son"), 1622

Ironically, his magnum opus, Osman, was not published in integral edition until 1844, when the Croatian Illyrian movement took his oeuvre as exemplary idiom of what they initially deemed Illyrian literary language, later standardized as Croatian and influencing Serbian. One of the leading Illyrian men of letters, politician, linguist and poet Ivan Mažuranić, successfully completed Gundulić's Osman by composing the last two chapters, which were left unfinished upon the poet's death.

The picture of Ivan Gundulić appears on the 50 kuna banknote and numerous post stamps.

External links

• Ivan Gundulich in Encyclopaedia Britannica 1911
• Ivan Gundulic in the Columbia Electronic Encyclopedia 2004