Lee Oscar Lawrie (October 16, 1877 - January 23, 1963) was one of the United States' foremost architectural sculptors and a key figure in the American art scene preceding World War II. His work includes the details on the Capitol building in Lincoln, Nebraska and some of the architectural sculpture and the Atlas figure at New York City's Rockefeller Center.

He was born in Rixdorf , Germany, and came to the United States in 1882 as a young child, settling in Chicago. It was there, at the age of 14, that he began working for a sculptor named Richard Henry Park . In 1892 he had the chance to work for many of the sculptors in Chicago, constructing the "White City" for the World Columbian Exposition of 1893. Following the completion of the work at the Expo, Lawrie followed the other mostly East Coast artists back east and settled in as an assistant to William Ordway Partridge. The next decade found him working with other established sculptors, St. Gaudens, Martiny, Proctor, Kitson and others. His work at the 1904 St. Louis Exposition under Karl Bitter, the foremost architectural sculpture of the time, allowed Lawrie to further develop both his skills and his reputation as an architectural sculptor.

It was Lawrie's collaborations with Ralph Adams Cram and Bertram Goodhue that brought him to the forefront of architectural sculptors in America. For them, he produced sculpture for the Chapel at West Point, Church of St. Vincent Ferrer, St. Bartholomew's Church, and the reredos at St. Thomas, the latter three being in New York City. After the breakup of the Cram, Goodhue firm, Lawrie continued to work with Goodhue (and his successors, after Goodhue's premature death in 1924) on the Nebraska State Capitol, the Los Angeles Public Library, the Rockefeller Chapel at the University of Chicago, the National Academy of Sciences Building in Washington, D.C. and Christ Church Cranbrook, in Bloomfield Hills, Michigan.

The Nebraska State Capitol and the Los Angeles Public Library both feature extensive sculptural programs integrated into (rather than applied onto) the surface, massing, spatial grammar and social function of the building. Lawrie's collaborations with Goodhue are arguably the most highly developed example of architectural sculpture in American architectural history. After Goodhue's death, Lawrie went on to produce important and highly visible work under Raymond Hood at Rockefeller Center in New York City, but by November 1931 Hood made it known that "There has been entirely too much talk about the collaboration of architect, painter and sculptor," and relegated Lawrie to the role of a decorator.

Other important Lawrie commissions can be found at the Education Building in Harrisburg, Pennsylvania, the Louisiana Capitol Building in Baton Rouge, Louisiana, the Peace Memorial at Gettysburg, Pennsylvania, the Fidelity Mutual Life Building in Philadelphia, Pennsylvania, the Ramsey County Courthouse in Saint Paul, Minnesota, and the National Shrine of the Immaculate Conception and Library of Congress Annex, both in Washington, D.C.

In addition to these, Lawrie executed sculptures for at least three towers. The Harkness Memorial Tower at Yale University, New Haven, Connecticut, the Beaumont Memorial Tower at Michigan State University in East Lansing, Michigan, and the Bok Singing Tower in Mountain Lake, Florida. Paradoxically, Lawrie's most recognizable work is not architectural. It is the Atlas figure on Fifth Avenue at Rockefeller Center in New York City.

Over his long career his style evolved through Modern Gothic, to Beaux-Arts Classicism and finally into Moderne or Art Deco.

Pictures of the work of Lee Lawrie

Atlas, Rockefeller Center, NYC	Wisdom - Relief sculpture above the main entrance to the RCA Building, Rockefeller Center, NYC	US of A stamp with Lawrie's Atlas	Soldiers & Sailors Memorial Bridge, Harrisburg, Pennsylvania
Soldiers & Sailors Memorial Bridge, Harrisburg, Pennsylvania	Ramsey County Court House, St. Paul, Minnesota	Bertram G Goodhue, Rockefeller Chapel, University of Chicago, Chicago, Illinois	Figure from Fidelity Mutual Life Insurance Company Building, Philadelphia, Pennsylvania
Ramsey County Court House, St. Paul, Minnesota	Commerce, Rockefeller Center, NYC	The Sower, figure on top of the Capitol Building, Lincoln Nebraska	Capitol Building, Lincoln Nebraska

References

• Bok, Edward W., America's Taj Mahal - The Singing Tower of Florida, The Georgia Marble Company, Tate, Georgia c. 1929.
• Brown, Elinor L., Architectural Wonder of the World, State of Nebraska, Building Division, Lincoln, Nebraska 1978.
• Fowler, Charles F., Building a Landmark - The Capitol of Nebraska, Nebraska State Building Division, 1981.
• Garvey, Timothy Joseph, Lee Lawrie Classicism and American Culture, 1919 - 1954, PhD. Thesis University of Minnesota 1980.
• Gebhard, David, The National Trust Guide to Art Deco in America, John Wiley & Sons, NY, NY 1996.
• Kvaran, Einar Einarsson, Architectural Sculpture of America, unpublished manuscript.
• Lawrie; Lee, Sculpture - 48 Plates With a Forward by the Sculptor, J.H. Hanson Cleveland, Ohio 1936.
• Luebke, Frederick C. Editor, A Harmony of the Arts – The Nebraska State Capitol, University of Nebraska Press, Lincoln, Nebraska 1990.
• Oliver, Richard, Bertram Grosvenor Goodhue, The Architectural History Foundation, New York & The MIT Press, Cambridge, Massachusetts 1985.
• Masters, Magaret Dale, Hartley Burr Alexandr--Writer-In-Stone, Margaret Dale Masters 1992 .
• Whitaker, Charles Harris,Editor, Text by Lee Lawrie et al Bertram Grosvenor Goodhue, Architect-and Master of Many Arts, Press of the American Institute of Architects, Inc., NYC 1925.
• Whitaker, Charles Harris and Hartley Burr Alexander, The Architectural Sculpture of the State Capitol at Lincoln Nebraska, Press of the American Institute of Architects, NY 1926.