Belgium is a cultural crossroads where Flemish Dutch-speaking and Walloon French-speaking inhabitants mix with German minorities and immigrant communities from Republic of the Congo and other distant countries.

Belgian folk music has survived the 20th century much more effectively than folk traditions in most other countries due to the efforts of ethnomusicologists early in the century. Consequently, there was an ample repertoire and documentation of traditional Flemish music in the 1960s and early 1970s, when people like Wannes Van de Velde, Herman Dewit , Walter de Buck and Hubert Boone led a folk revival. Some of these musicians, especially Van de Velde, modernized Belgian folk music by using self-penned urban songs using influences from Spain and Greece. Wannes, for example, sang in the dialect of his native Antwerp and collaborated with Amparo Cortés , a Spanish flamenco singer.

The 1970s saw increased popularity of modernized folk music, with bands like Rum and Hubert Boone's influential Brabants Volksorkest . During the 1980s, folk became less popular, with only a few folk-rock bands like Kadril achieving much success, but Herman Dewit founded an annual music course in Gooik which kept the scene alive. In the mid-1990s, groups like Ambrozijn , Fluxus, Marc Hauman & De Moeite , Clouseau, Laïs emerged from these yearly events.

Walloon music has not had as vibrant a revival as Flemish, but artists like Coïncidence , Remy Dubois , Luc Pilartz , Rue du Village and Claude Flagel have kept the folk traditions alive.

Since the early 1980s, African musicians have played an important part on the Belgian scene, especially those from the former Belgian colony of Congo. Congolese-Belgian Princesse Mansia M'Bila , Rwandan-Belgian Cécile Kayirebwa and Dieudonné Kabongo led this wave that soon incorporated Argentinean tango music, Moroccan oud and other music from around the world. The 1990s saw the emergence of Zap Mama, a group of Congolese-Belgian women who played a fusion of Pygmy and other African music with European influences.

EBM

• Front 242
• Klinik
• Praga Khan
• Telex

Indie scene

Flanders has a lively indie scene, sprouted from Antwerp where dEUS is probably the most famous, next to other people and groups like Zita Swoon (formerly Moondog Jr), Kiss My Jazz, Dead Man Ray , Die Anarchistische Abendunterhaltung . In the noise genre Antwerp houses the pioneer band Club Moral. Ghent also has a booming indie scene: de Portables , Barbie Bangkok , Fifty Foot Combo , ’t Hof van Commerce (immigrants from Izegem), Vive La Fête , Das Pop and the successful Soulwax bring indierock with a slightly rougher edge than their Antwerp fellows.

See also: List of Belgian bands and artists

References

• Rans, Paul. "Flemish, Walloon and Global Fusion". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 1: Africa, Europe and the Middle East, pp 25-30. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0