Science Fair Project Encyclopedia
Mérimée loved mysticism, history, and the unusual, and was influenced by the historical fiction popularised by Sir Walter Scott and the cruelty and psychological drama of Aleksandr Pushkin. Many of his stories are mysteries set in foreign places, Spain and Russia being popular sources of inspiration.
In 1830, Mérimée was appointed to the post of inspector-general of historical monuments. He was a born archaeologist, combining linguistic faculty of a very unusual kind with accurate scholarship, with remarkable historical appreciation, and with a sincere love for the arts of design and construction, in the former of which he had some practical skill. In his official capacity he published numerous reports, some of which, with other similar pieces, have been republished in his works.
- Cromwell (1822) - his first play.
- Le Théâtre de Clara Gazul (1825) - a hoax, supposedly a translation by one Joseph L'Estrange of work written by a Spanish actress.
- La Guzla (1827) - another hoax, ballads about various mystical themes proportedly translated from the original Illyrian by one Hyacinthe Maglanowich.
- La Jacquerie (1828) - dramatic scenes about a peasant insurrection in feudal times.
- La Chronique du temps de Charles IX (1829) - a novel about French court life.
- Mosaïque (1833) - a collection of short stories.
- Notes de voyages (1835-40) - describing his travels through Greece, Spain, Turkey, and France.
- Colomba (1840) - his first famous novella, about a young Corsican girl who forces her brother to commit murder for the sake of a vendetta.
- Carmen (1846) - another famous novella describing an unfaithful gypsy girl who is killed by the soldier who loves her (made into an opera by Georges Bizet in 1875).
- Lokis (1869) - exploring supernatural themes.
- La Chambre bleue (1872) - also with a supernatural bent.
- Lettres à une inconnue (1874) - a collection of letters from Mérimée to Jenny Dacquin, published after his death.
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