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The seven deadly sins, also known as the capital vices or cardinal sins, suggest a classification of vices and were enumerated in their present form by Thomas Aquinas in the 13th century. The Catechism of the Catholic Church mentions them as "capital sins which Christian experience has distinguished, following St. John Cassian and St. Gregory the Great."[1] "Capital" here means that these sins stand at the head (Latin caput) of the other sins which proceed from them, e.g., theft proceeding from avarice and adultery from lust.

The sins were first introduced when Greek monastic theologian Evagrius of Pontus drew up a list of eight offenses and wicked human passions. They were, in order of increasing severity: gluttony, lust, avarice, sadness, anger, acedia, vainglory, and pride. Evagrius saw the escalating severity as representing increasing fixation with the self, with pride as the most egregious of the sins. Acedia (from the Greek "akedia," or "not to care") denoted "spiritual sloth."

In the late 6th century, St. Gregory the Great reduced the list to seven items, folding vainglory into pride, acedia into sadness, and adding envy. His ranking of the Sins' seriousness was based on the degree from which they offended against love. It was, from most serious to least: pride, envy, anger, sadness, avarice, gluttony, and lust. Later theologians, most notably Thomas Aquinas, would contradict the notion that the seriousness of the sins could be ranked in this way

The opposite of these sins are the seven virtues.

The capital sins are not to be confused with mortal sins.

Ranked in order of severity (worst sins listed first) as per Dante's Divine Comedy (in the Purgatorio), the seven deadly sins are:

• pride (vanity) — a desire to be important or attractive to others or excessive love of self (holding self out of proper position toward God or fellows; Dante's definition was "love of self perverted to hatred and contempt for one's neighbor"). In the Latin lists of the Seven Deadly Sins, pride is referred to as superbia.

• envy (jealousy); resentment of others for their possessions (Dante: "Love of one's own good perverted to a desire to deprive other men of theirs"). In the Latin lists of the Seven Deadly Sins, envy is referred to as invidia.

• wrath (anger) — inappropriate (unrighteous) feelings of hatred, revenge or even denial, as well as punitive desires outside of justice (Dante's description was "love of justice perverted to revenge and spite"). In the Latin lists of the Seven Deadly Sins, wrath is referred to as ira.

• sloth (also accidie, acedia) — laziness; idleness and wastefulness of time allotted

laziness is condemned because:

• others have to work harder
• it is disadvantageous for oneself, because useful work does not get done
• an equilibrium: one does not produce much, but one does not need much either (in Dante's theology, sloth is the "failure to love God with all one's heart, all one's mind, and all one's soul" - specific examples including laziness, cowardice, lack of imagination, complacency, and irresponsibility). In the Latin lists of the Seven Deadly Sins, sloth is referred to as acedia.

• avarice (covetousness, greed) — a desire to possess more than one has need or use for (or, according to Dante, "excessive love of money and power"). In the Latin lists of the Seven Deadly Sins, avarice is referred to as avaritia.

• gluttony — wasting of food, either through overindulgence in food, drink or intoxicants, misplaced desire for food for its sensuality, or withholding food from the needy ("excessive love of pleasure" was Dante's rendering). In the Latin lists of the Seven Deadly Sins, gluttony is referred to as gula.

• lust — unlawful sexual desire, such as desiring sex with a person one is not married to (fornication). (Dante's criterion was "excessive love of others," thereby detracting from the love due God). In the Latin lists of the Seven Deadly Sins, lust is referred to as luxuria.

Several of these sins interlink, and various attempts at causal hierarchy have been made. For example, pride (love of self out of proportion) is implied in gluttony (the over-consumption or waste of food), as well as sloth, envy, and most of the others. Each sin is a particular way of failing to love God with all one's resources and to love fellows as much as self. The Scholastic theologians developed schema of attribute and substance of will to explain these sins.

The 4th century Egyptian monk Evagrius Ponticus defined the sins as eight deadly "passions", and in Eastern Orthodoxy, these impulses are still characterized as "deadly passions" rather than sins in and of themselves. Instead, to invite and entertain or to refuse to attempt resistance against these passions is considered sinful in Orthodox Christian moral theology.

In the official Catechism of the Catholic Church, consisting of 2,865 numbered sections and first published in 1992 by order of Pope John Paul II, the seven deadly sins are dealt with in one paragraph. The principal codification of moral transgression for Christians continues to be the Ten Commandments and the Beatitudes, which are a positive statement of morality.

Contrast with the Four Cardinal Virtues and Three Theological Virtues, which together form the Seven Virtues

As was previously mentioned, the latin words for the sins are: superbia, invidia, ira, accidia, avaritia, gula and luxuria. The first letters of these words form the medieval Latin word saligia, from whence the verb saligiare (to commit a deadly sin) is taken.

Associations with demons

In 1589, Peter Binsfeld paired each of the deadly sins with a demon, who tempted people by means of the associated sin. According to Binsfeld's classification of demons, the pairings are as follows:

• Lucifer: pride
• Mammon: avarice
• Asmodai: lust
• Satan: wrath
• Beelzebub: gluttony
• Leviathan: envy
• Belphegor: sloth

The seven deadly sins in popular culture

The Seven Deadly Sins (Die sieben Todsünden) is the name of a 1933 Kurt Weill / Bertolt Brecht / George Balanchine collaboration. It was originally sung by Lotte Leyna and danced by Tilly Losch.

The album Heaven and Hell by Joe Jackson, released in 1997, is a modern musical interpretation of the seven deadly sins.

The movie Se7en is about a serial killer obsessed with the seven deadly sins.

The seven deadly sins were also occasionally referenced in the Shazam/Captain Marvel comic-book franchise by seven statues ("The Seven Deadly Enemies of Man") displayed in the hero's secret headquarters, originally Lust was replaced by Injustice; later comics revealed the embodiments of the sins were trapped in the statues and Injustice removed in favor of Lust.

There is a board game named after the seven deadly sins, see Seven Deadly Sins (board game).

In 2003, Unilever marketed Magnum 7 Deadly Sins, a series of seven differently flavoured ice creams.

In 2004, Mez-Itz marketed a range of Living Dead Dolls after the seven deadly sins.

Villains in the animated series Fullmetal Alchemist are named after the seven deadly sins.

Characters in the 1960's CBS TV Comedy series Gilligan's Island are based on the seven deadly sins.

Prominence is given to vanity in the movie The Devil's Advocate which also deals with avarice and lust to a lesser extent.

"The Seven Deadly Sins" is also a single released by Irish folk-punk band Flogging Molly.

External links

• Table contrasting sins with virtues
• Seven deadly sins FAQ: answers such questions as why the sins are "deadly"
• Another FAQ
• DeadlySins.com: historical and comic perspective on the seven deadly sins.
• Official List of the Seven Deadly Sins: Thomas Aquinas' reflections on the seven deadly sins in the Summa Theologica.