Slavenka Drakulić is a noted Croatian writer and publicist who lives in Sweden.

Slavenka Drakulić was born in Rijeka in 1949 in what was then Yugoslavia, now Croatia. She graduated in comparative literature and sociology from the University in Zagreb in 1976. From 1982 to 1992 she was a staff writer for the Start bi-weekly newspaper and news weekly Danas (both in Zagreb), writing mainly on feminist issues.

Drakulić's earliest claim to fame was a set of newspaper articles, a novel (Holograms of Fear in 1987) and a documentary film about diabetes and requiring a kidney transplant, a condition she was diagnosed with and the experience she had to live through in the 1980s.

Drakulić emigrated from Croatia in the early 1990s for political reasons, after having been declared not patriotic enough by several important newspapers. A notorious unsigned 1992 Globus article (Slaven Letica , a known sociologist and writer, subsequently admitted to being its author) accused five Croatian female writers, Drakulić included, of being "witches" and of "raping" Croatia. According to Letica, these writers failed to take a definitive stance against rape as a planned military tactic by Bosnian Serb forces against non-Serbs, and rather treated it in feminist fashion, as crimes of "unidentified males" against women. Soon after the publication, Drakulić started to receive phone threats; her property was also vandalized. Finding little or no support from her erstwhile friends and colleagues, she decided to leave Croatia.

Drakulić has written for various newspapers and magazines in many different languages, including The Nation, La Stampa , Dagens Nyheter, Frankfurter Allgemeine Zeitung, and Politiken.

She also wrote several other works, including a book of essays entitled Deadly Sins of Feminism in 1984, as well as the novels Marble Skin and How We Survived Communism and Even Laughed in 1991 and Balkan Express: Fragments from the Other Side of the War in 1992. Her other works include Cafe Europa: Life After Communism (1996) and The Taste of a Man (1997).

Her noted recent works relate to the Yugoslav wars. As If I Am Not There (2000) is about crimes over women in the Bosnian War, while They Would Never Hurt a Fly (2004) is a book in which she also analyzed her experience overseeing the proceedings and the inmates of the International Criminal Tribunal for the Former Yugoslavia at The Hague. Both books touch on the same issues that caused her wartime emigration from the home country.

Drakulić currently lives in Stockholm with her husband and regularly visits her home in Croatia.