Thomas Corneille (August 20, 1625 - December 8, 1709) was a French dramatist. He was the brother of Pierre Corneille.

Born in Rouen being nearly twenty years after his brother, the "great Corneille", Thomas's skill as a poet seems to have shown itself early. At the age of fifteen he composed a play in Latin which was performed by his fellow-pupils at the Jesuits' college of Rouen. His first play in the French language, Les Engagements du hasard, was acted in 1647. Le Feint Astrologue, imitated from the Spanish, and itself imitated by Dryden, came the following year.

On his brother's death he succeeded to his vacant chair in the Académie française. He then turned his attention to philology, producing a new edition of the Remarques of CF Vaugelas in 1687, and in 1694 a dictionary of technical terms, intended to supplement that of the Academy. A complete translation of Ovid's Metamorphoses (he had published six books with the Heroic Epistles some years previously) followed in 1697.

In 1704 he lost his sight and was constituted a "veteran," a dignity which gave him the privileges of an academician, whilst exempting him from the duties. He did not allow his blindness to put a stop to his work, and in 1708 produced a large Dictionnaire universel géographique ci historique in three volumes folio. This was his last major work. He died at Les Andelys, aged eighty-four.

Thomas Corneille has often been regarded as one who, but for his surname, would merit no notice. Others feel he was unlucky in having a brother who outshone him, as he would have outshone almost anyone else. The brothers were close, and practically lived together. Of his forty-two plays (this is the highest number assigned to him), the last edition of his complete works contains only thirty-two, but he wrote several in collaboration with other authors. Two are usually reprinted as his masterpieces at the end of his brother's selected works. These are Ariane (1672) and the Comic d'Essex, in the former of which Rachel attained success. But of Laodice, Camma, Stilico and some other pieces, Pierre Corneille himself said that "he wished he had written them," and he was not wont to speak lightly. Camma (1661, on the same story as Tennyson's Cup) especially deserves notice.

Thomas Corneille is in many ways remarkable in the literary gossip-history of his time. His Timocrate boasted of the longest run (80 nights) recorded of any play in the century. For La Devineresse he and his coadjutor de Visé, founder of the Mercurè galant (to which Thomas contributed), received over 6000 livres, the largest sum known to have been thus paid. Lastly, one of his pieces (Le Baron des Fondrières) contests the honour of being the first which was hissed off the stage.

There is a monograph, Thomas Corneille, sa vie rises ouvrages (1892), by G Reynier. See also the Fragments inédits de critique sur Pierre ci Thomas Corneille of Alfred de Vigny, published in 1905.

Initial text from a 1911 Encyclopedia. Please update as needed.